It was 4AM. I as working on an assignment, and by working I mean opening the assignment and procrastinating. Sean, too, was working on a project due the next morning. He came downstairs periodically to talk about fantasy football, so naturally, we were both working diligently.
I was downloading Spirited Away from Rapidshare. Unfortunately it's in parts, so I have to download 14 things. Regardless, Sean came down for what must have been hte fifth time, discussing players he wanted to trade and pretty much bragging about how good his team is.
"You wanna take a break?" he asks. I knew what he meant. Smoke break.
I declined.
"Alright, then. Your loss!" he smiled as he closed the door.
About fifteen minutes later I heard a rapping on my chamber door. "It's open," I called out, not wanting to take my eyes off some basketball blogs.
The knob turned back in forth. "It's not," Sean said. "What are you doing in there?"
"I didn't lock it!" I called out. I got up to open it. It wouldn't budge.
I turned the knob and pulled. It still wouldn't budge.
I look in between the cracks and saw this. The big part is called the latch bolt, and I think the small part is called the lock bolt. When you turn the door knob, the latch bolt turns. If the door is locked, the lock bolt somehow clings on to the latch bolt and neither go in. In this case, the latch bolt went in, but the lock bolt, the small one, was stuck.
So yes, I was locked IN my room.
I asked Sean to get my room key from Eric, who lives above me. We all switched rooms at the beginning of the semester, but our keys are all switched up because they gave us the keys based on our assigned rooms.
The key didn't work. Sean woke up Evan, who sleeps on our couch. As disgruntled as Evan was, he soon saw the hilarity of the situation.
"Hey Andrew," he asked me through the door. "Can I make one of your ramen noodles?"
"I don't think now's the time, dude...but if you're really hungry..."
It's okay, I thought. They'll think of something.
"Andrew," Sean called to me, trying to sound soothing. "Don't worry. Evan and I are brainstorming ideas to get you out of there...Hey, Evan. Can you put on Madden real quick?"
"Andrew," Evan would later ask me. "Can you take off the hinges of the door? Do you have a screwdriver out there?"
"Yeah. Let me check real quick," I replied. I shuffled through my drawers.
"Alright, guys. You still there?" I asked.
"Yeah. What'd you find?" they asked.
"Alright. I got a flashlight and a pair of fingernail clippers."
Needless to say, it didn't work.
So I ended up calling Public Safety. The door was broken down. I left my room.
How frustrating it was.
Saturday, November 21, 2009
Wednesday, November 4, 2009
Grosse Pointe Blank
So the tragicomedy that continues to riddle my life lives onward, full swing in its cliches and mundane grievances. It seems like we've become so much of a culture that complains that it has inevitably led us into a dark crevasse of criticism.
Because we've felt this unyielding urge to express ourselves, in words, in actions, in pictures, we have forced ourselves to become self-aware. We have made criticizing art into an art form itself, rewarding not only the attributes we supposedly should hold so dearly and so closely to our hearts, but also those very attributes that supposedly make us better.
In addition to the already extant expressions of complaints, our interestingly inexorable ability to self-reflect on our culture has resulted in an immeasurable amount of nonfiction. I believe this is a shift in our cultural values.
While we once loved legends and myths and stories made up for our fancy, we are slowly and certainly shifting our love to stories that are real, reflecting our preference to understand ourselves more. Our films were once lauded for their storytelling abilities, their fiction our fancy. However, in recent cinema, the trend has been to reward films with a basis in real stories.
We see much greater appeal in movies that tell stories that have already happened, but captured in a light that somehow makes it more appealing, romanticized for our viewing pleasure. Biopics have recently taken off and will eventually peak, culminating in a genre of film few thought would be as popular as they are now.
We began as artists. Art is expression, and, as I see it, art is complaining. Criticism came along, bringing along its cynical brother satire. In this era, we have emphasized criticism and satire. We seek constantly to make things better, so we follow commentary on how to make other things better.
Look at the intense popularity of Stephen Colbert. He's so famous that you don't even pronounce that word the same way anymore. When you see "Colbert," you don't read it as "COAL-BURT" but "COAL-BEAR" (see irony). Colbert's popularity points not only to his capable and satirical commentary, but also points to an audience that seems ravenous for such commentary.
So as we began as artists we are evolving as critics, masters of observations. We become experts at looking inward as well as outward.
And yet, sometimes, we cannot express ourselves to we look to others to express it for us. We flock to those who can relate to us the most, allured to the security that is ultimately a reflection of ourselves.
And we keep quiet those emotions we find difficult to express. We harbor obsessions we seek never to disclose for reasons that aren't obvious. While it may seem we don't disclose these obsessions because we are embarrassed, it is also very possible that the embarrassment is actually not as great as the fear of embarrassment.
So we hold these things to ourselves, our quiet obsessions.
And I can honestly say that the cross that is resting on my chest has never been heavier.
Because we've felt this unyielding urge to express ourselves, in words, in actions, in pictures, we have forced ourselves to become self-aware. We have made criticizing art into an art form itself, rewarding not only the attributes we supposedly should hold so dearly and so closely to our hearts, but also those very attributes that supposedly make us better.
In addition to the already extant expressions of complaints, our interestingly inexorable ability to self-reflect on our culture has resulted in an immeasurable amount of nonfiction. I believe this is a shift in our cultural values.
While we once loved legends and myths and stories made up for our fancy, we are slowly and certainly shifting our love to stories that are real, reflecting our preference to understand ourselves more. Our films were once lauded for their storytelling abilities, their fiction our fancy. However, in recent cinema, the trend has been to reward films with a basis in real stories.
We see much greater appeal in movies that tell stories that have already happened, but captured in a light that somehow makes it more appealing, romanticized for our viewing pleasure. Biopics have recently taken off and will eventually peak, culminating in a genre of film few thought would be as popular as they are now.
We began as artists. Art is expression, and, as I see it, art is complaining. Criticism came along, bringing along its cynical brother satire. In this era, we have emphasized criticism and satire. We seek constantly to make things better, so we follow commentary on how to make other things better.
Look at the intense popularity of Stephen Colbert. He's so famous that you don't even pronounce that word the same way anymore. When you see "Colbert," you don't read it as "COAL-BURT" but "COAL-BEAR" (see irony). Colbert's popularity points not only to his capable and satirical commentary, but also points to an audience that seems ravenous for such commentary.
So as we began as artists we are evolving as critics, masters of observations. We become experts at looking inward as well as outward.
And yet, sometimes, we cannot express ourselves to we look to others to express it for us. We flock to those who can relate to us the most, allured to the security that is ultimately a reflection of ourselves.
And we keep quiet those emotions we find difficult to express. We harbor obsessions we seek never to disclose for reasons that aren't obvious. While it may seem we don't disclose these obsessions because we are embarrassed, it is also very possible that the embarrassment is actually not as great as the fear of embarrassment.
So we hold these things to ourselves, our quiet obsessions.
And I can honestly say that the cross that is resting on my chest has never been heavier.
Tuesday, October 27, 2009
Goals
I hate being guilt-tripped into any charity. I hate feeling remorse for moral quandaries that shouldn't pertain to me, but are somehow thrust into my own responsibility by people whose agenda it is to shift blame and moral duty. I'm not a huge advocate of life-changing events or flashes of ephemeral righteousness that last no longer than the time between meals, but there was something about this site that made me think twice.
I would like somehow to earn a vast income, learn Mandarin and bring over 10 kids every year to educate. I'd like to start a school for those disabled kids or just kids living in gross poverty who have been abandoned and forgotten.
I would find that very fulfilling.
I would also like to know why that kid is wearing a Shroud of Beijing shirt.
The oldest is 9, not going to school. The youngest is less than 2 years old. They lived in [a] severely polluted area. [Their] hands and faces were always dirty.
I would like somehow to earn a vast income, learn Mandarin and bring over 10 kids every year to educate. I'd like to start a school for those disabled kids or just kids living in gross poverty who have been abandoned and forgotten.
I would find that very fulfilling.
I would also like to know why that kid is wearing a Shroud of Beijing shirt.
Monday, October 26, 2009
Dealbreakers
Lots of things have been happening lately, but at the same time, it feels like nothing is happening. This is, of course, a result of the level of value I place on my daily goings-on.
Learning to appreciate the seemingly mundane is certainly a daunting task, and while the tempo of my life has hardly changed, it is definitely not the same everyday. People will complain that they have nothing to say, that their days are filled similarly and repetitively, yet I am compelled to believe that life is impossibly novel each moment.
Maybe our lives just need a different lens.
Or maybe I'm just looking for something that isn't there.
Heh. There may be something there that wasn't there before.
Learning to appreciate the seemingly mundane is certainly a daunting task, and while the tempo of my life has hardly changed, it is definitely not the same everyday. People will complain that they have nothing to say, that their days are filled similarly and repetitively, yet I am compelled to believe that life is impossibly novel each moment.
Maybe our lives just need a different lens.
Or maybe I'm just looking for something that isn't there.
Heh. There may be something there that wasn't there before.
Tuesday, October 6, 2009
Talks
I just had a talk with a friend. It was 10 minutes of genuine conversation, which is much more than I can boast for a lot of other people. We were discussing our personal views on relationships in general with regards to his situation.
Without going into further detail, I'd like to bring up a constantly used, if not outright cliche, metaphor: the half full/empty glass.
The glass being half empty means a person has a pessimistic viewpoint, while half full indicates an optimistic person. All is well, until my friend brought up the point of someone seeing the glass as overflowing.
A person who claims the glass is overflowing is a cynic, and probably a melodramatic or at least hyperbolic one at that. What others see as a good or bad scenario, the cynic sees as good, but probably bad in the long run.
Take for example a break-up. While some view break-ups as a learning experience, others a terrible misfortune (full, empty, respectively), the cynic would say, "Yeah, it could be a learning experience, but it probably shows how incompatible I am, and love doesn't exist."
Personally, I hate those people.
That's because I think that the glass is always empty. This puts me in the category of the cynical optimist. It's empty, life sucks, shit's gonna happen, but it can be filled, this glass.
Probably not, though. The glass is always empty, and we just have to deal with it.
What are you?
Without going into further detail, I'd like to bring up a constantly used, if not outright cliche, metaphor: the half full/empty glass.
The glass being half empty means a person has a pessimistic viewpoint, while half full indicates an optimistic person. All is well, until my friend brought up the point of someone seeing the glass as overflowing.
A person who claims the glass is overflowing is a cynic, and probably a melodramatic or at least hyperbolic one at that. What others see as a good or bad scenario, the cynic sees as good, but probably bad in the long run.
Take for example a break-up. While some view break-ups as a learning experience, others a terrible misfortune (full, empty, respectively), the cynic would say, "Yeah, it could be a learning experience, but it probably shows how incompatible I am, and love doesn't exist."
Personally, I hate those people.
That's because I think that the glass is always empty. This puts me in the category of the cynical optimist. It's empty, life sucks, shit's gonna happen, but it can be filled, this glass.
Probably not, though. The glass is always empty, and we just have to deal with it.
What are you?
Subscribe to:
Posts (Atom)